Integrating Islam onto our Stage and "The Will of Bernard Boynton"

If we are to use theatre to build community, are we better served by a theatre that focuses on making us doubt and question or by one seeking to open our understanding and empathy? These are not mutually exclusive, just as the head and the heart are not mutually exclusive. But which is the servant and which the master? ... Islam is a part of our community, but a part that our community is not yet comfortable with.

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A Troubled Marriage

Fifty years ago, African-American playwright Alice Childress wrote a play about the racial climate in her home town of Charleston, SC—the racial climate, that is, of fifty years before that in 1918. It's called Wedding Band: A Love/Hate Story in Black and White, and it laments the perpetual cycle of racial separation that seems impossible to overcome. This lament is embodied in the star-crossed lovers of Julia and Herman, who are black and white and very much in love, but whose people cannot abide their mutually-expressed union—the one side out of fear and suspicion, the other out of bigotry and privilege, the both institutionalized. 

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