The Lover at the Wall
consists of three dramatic works inspired by the history and teachings of
the Bahá'í Faith, but intended for a wider audience. While the plays vary in
genre and setting, they do have similarities. Each contrasts the sublimity
of God’s love with the fragility of His followers, who face complicated
moral dilemmas. These souls struggle to transcend obstacles that test their
devotion and, as they progress, they witness the transformative power
inherent in the divine message of unity.
(Read
Introduction)
1. A New Dress for Mona
Shiraz, Iran. 1982. When rising persecutions threaten her father, Mona
speaks out against the injustice, only to draw the fanatic's eye to herself
as well. What is a 16-year-old to do? A special dream seems to point the
way, so Mona follows. But how long can her resolve last? Can her love extend
even to the executioner?
(Read
Sample of "Mona")
2. Band of Gold
When two college-age youth—one Persian, one bi-racial American—want to marry,
their families struggle to accommodate the couple's wishes with their own
preferences and expectations. Soon though, talk of the marriage reveals
divisions within each family, and it is to the other families that each must
turn for support.
(Read
Sample of "Band of Gold")
3. On
the Rooftop with Bill Sears
His life is a dream-come-true, but whose life is it? Follow 1950s TV
personality Bill Sears on a journey both entertaining and poignant as he
unravels the secret of a childhood vision and realizes the unyielding
demands of a true calling.
(Read
Sample of "Rooftop")