About Us

THE DRAMA CIRCLE

Promoting Bahá'í-inspired Theatre Initiatives

 

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From Durham to Durban: Different productions, one spirit. 

"A Dress for Mona" in Durham, NC, USA (2003) and Durban, South Africa (2007)

 

 

 

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The Drama
Circle


 

 

You Complete the Circle

   The Drama Circle is better defined by its mission than by any building or company of people. Since its founding in 2002, the Drama Circle has served to encourage the use of drama among Bahá'ís, their friends and their communities. 

č Locally, we can list  a number of achievements here in North Carolina, including the premiere productions of "A Dress for Mona" and "On the Rooftop with Bill Sears." Also, we have sponsored play contests, hosted play readings and touring shows, and collaborated with like-minded companies on worthwhile projects. Finally, we have offered our "Principles of Drama" training course locally.

   The greater goal though has been not just to create a localized theatre presence, but to support the worldwide Bahá'í community with resources that might embolden and empower it to integrate drama into its various activities. Really, anywhere people are pursuing that goal, that is where the Drama Circle is.

   Please let us know what efforts you are making in this field and how we might better serve you and your community. You can either leave your thoughts on the discussion forum or send us an email by clicking on the "Contact Us" link.  

The Drama Circle
PO Box 1361
Carrboro, NC 27510
USA

info@dramacircle.org

About Our Name

   The idea behind the name 'drama circle' is twofold. Specifically, it comes from this vision of a course that could transmit the basic skills of drama using that ideal learning format of the study circle, now being adopted by Baha'is throughout the world for their training needs. More generally, of course, the circle is a symbol of the unity and strong sense of community that drama can help build. This is the spirit of our undertaking.

      Our mission is " ...to encourage the development of the Art of Theatre in the Bahá'í community and in the greater community." The Bahá'í writings speak of the importance of drama, and art generally, as a powerful means of education and transformation. So, ultimately, it's not theatre for the sake of theatre. It's that theatre is a powerful tool in the development of society.
     Briefly, the Bahá'í community will benefit greatly as drama and other arts are nurtured and begin to blossom, and the general community will benefit as it learns of the rich stories and characters found in the Bahá'í Faith's history and as it is acquainted with the Bahá'í perspective, which reinforces the centrality of spirituality and reverence in human affairs.

-Mark Perry          

 

Mark Perry founded the Drama Circle in 2002. He is the author of ‘A Dress for Mona’ and the one-man show ‘On the Rooftop with Bill Sears.’ He currently teaches drama at UNC-Chapel Hill.